What if you look to the dominant historical and contemporary narratives where you live and don’t see yourself reflected there? How do you negotiate the space between the culture that surrounds you and your individual identity? My interest is in exploring this area, especially through the body itself. The body can be a repository of meaning, a physical reality forever in the present, remembering and continually in the process of being formed and re-formed; an instrument that writes its own personal narrative.
Kay Mei Ling Beadman is an artist, researcher and co-founder of Hong Kong artist-run initiative Hidden Space. She uses her Chinese and white English mixed ethnicity to explore aspects of complex dual identity formation, often focusing on embodied aspects of lived experience amid socio-politically and culturally constructed assumptions around race. Her practice is multidisciplinary and includes wearables, installation, performance, video, painting and text. She has a BFA from the University of Reading, UK, an MFA from RMIT, Australia and a PhD from the City University of Hong Kong. Kay zigzagged between HK and UK growing up, but has lived and worked permanently in Hong Kong since 1999. She has exhibited in Australia, China, Hong Kong, Serbia, Singapore, South Korea, Sri Lanka and the UK.
Selected Exhibitions
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2024
Closer Together, Pao Galleries, Hong Kong Arts Centre, Hong Kong
2023
Closer Together, RMIT Gallery, Naarm | Melbourne, Australia
2022
Nexus between Art, Practice & Research, Floating Projects, Hong Kong
2021
BOOKED, Tai Kwun, Hong Kong
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Fault Lines, Present Projects, Hong Kong
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Interdependencies, Institute for Contemporary Arts, Singapore
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And the Ship Sails On, JCCAC, Hong Kong
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System Dreams, Run Run Shaw Creative Media Centre, Hong Kong
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The Invisible Child Grows Up (Solo), Zizhi Babel, Shanghai, China
2020
Image and Sound In Spite Of..., LASALLE, Singapore
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The new (ab)normal, RMIT Gallery, Naarm | Melbourne, Australia
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2018
Social Transformations, Pao Galleries, Hong Kong Arts Centre, Hong Kong
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Description of Absence, Art Space IAa, Jeju City, South Korea
2017
Silk Road: Portal to World Imagination, Xi’an Art Museum, Xi’an, China
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Wayang Malam 2: Short Films, Videos, Animations, McNally School of Fine Arts, Singapore
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Enduring Reality Part 3 (Solo), Hidden Space, Hong Kong
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Man-made by Nature, City Hall Exhibition Gallery, Hong Kong
2016
IMAF 2016, 18th International Multimedial Festival, Center Gallery, Odzaci, Serbia; and Suluv Gallery, Novi Sad, Serbia
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The Museum of International Connectivity, The Dirty Dozen, Naarm | Melbourne, Australia
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Crossing Border | Border Crossing, JCCAC, Hong Kong
2015
1st Shenzhen Biennale of Contemporary Art, Shenzhen University Art Museum, Shenzhen, China
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This Time, Pao Galleries, Hong Kong Arts Centre, Hong Kong
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Tropical Lab 9: Island, Institute for Contemporary Arts, Singapore
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The Remembering Body (Solo), Wah Tat Industrial Centre, Hong Kong
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Peripheral (Solo), Lightscape Projects, Naarm | Melbourne, Australia
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Passageway, Gallery of Hong Kong Art School, Hong Kong Arts Centre, Hong Kong
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2014
Burning, 247 Queen’s Road East, Wan Chai, Hong Kong
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Asia Contemporary Art Show, BZ Art Gallery, Conrad Hotel, Hong Kong
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SIX, Lightscape Projects, Naarm | Melbourne, Australia
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This Must be the Place, School of Art Gallery, RMIT, Naarm | Melbourne, Australia
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2012
Stepping Out (Solo), Barefoot Gallery, Colombo, Sri Lanka
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